Aufmerksamkeit für das Gewöhnliche @ VLOW!14 Festival

Aufmerksam für das Gewöhnliche @ VLOW!14 Festival

Thema: Intuition als Entwurfsstrategie
Datum: 17. Oktober 2014
Ort: Festspielhaus Bregenz, Österreich
Teilnehmer: 20 
Zeitraum: 1,5 Stunden
Rahmen: VLOW!14 Festival “Der Einfall – Das Management der Inspiration”
Veranstalter: Kongresskultur Bregenz GmbH
Projekt Website: http://aufmerksam-vlow.tumblr.com

Eine Ausstellung über einen Weg durch Bregenz. Veranstaltet im Rahmen des VLOW!14 Festivals
„Der Einfall, das Management der Inspiration“. Ein Festival im Zwischenraum Kommunikation, Design, Architektur im Festspielhaus Bregenz.

Normalerweise besucht man eine fertig eingerichtete Ausstellung. In diesem Fall, brachten die Teilnehmer die Exponate selbst und erzählten dessen Geschichte. Auf einem Spaziergang durch Bregenz, sammelten sie Erlebnisse und Objekte, machten Fotos und zeichneten. Der Weg führte vom Bregenzer Festspielhaus auf die Seebühne, über die Bahnschienen, vorbei an Parkplatzwelten, durch Unterführungen und verwahrloste Hinterhöfe. Um die Wahrnehmung zu schärfen, wurde während des Gehens nicht gesprochen (aber gelacht) und es gab kleine angeleitete Gehmeditationen. In einem abgedunkelten Konferenzraum des Bregenzer Festspielhauses endete der Spaziergang. Auf mehreren Tischen war mit schwarz-gelben Klebeband eine Linie gezeichnet die den Weg markierte. Nach einer kurzen Einführung, wo sich welcher Platz auf der Linie befand, wählte jeder Teilnehmer sein für ihn stärkstes Ereignis und verortete dieses auf der Linie. In einer gemeinsamen Führung stellte jeder der Teilnehmer sein Exponat und dessen Geschichte vor.

RBFC14: Building a Culture of Innovation



Jeff Gothelf: Building a Culture of Innovation

Abstract: You’ve read The Innovator’s Dilemma. You’ve bought in to The Lean Startup. You’re ready to kickstart your company’s product innovation efforts. There’s just one problem: you’re not sure where to begin:
What can design teach us about building a collaborative culture?
How do you structure a successful product design team?
How should that team work?
How will that team measure success?
Jeff will offer practical, step-by-step, guidance on how to build and support successful product design innovation in your business. Using insights gained from leading and working with dozens of product and design teams, Jeff will step through team makeup, process steps, management structure and the corporate infrastructure needed for these teams to flourish.





Thanks, Jeff, for the permission to share the recording.
Photo (c) by Wolf Brünning

transitmaps: Infographic: Crocheting in the Subways of Hamburg…



transitmaps:

Infographic: Crocheting in the Subways of Hamburg by Lana Bragina

Now this I love!

Every time that Lana travelled on Hamburg’s S-Bahn or U-Bahn, she would pass the time by crocheting this neat little bangle. The fun part is that she would only use thread that was the colour of the line that she was riding on at the time: green thread for the S1, yellow for U3, etc.

The really extra fun part is that she also made this super nifty infographic that explains the whole thing in a very visual way: the dates that each trip was made on, which stations she rode between and how long (in minutes) that trip took, even little “work in progress” photos of the bracelet after each trip. And then the whole thing is tied into a simple little diagramof “Lana’s Subway” as well. That the whole infographic looks like thick skeins of thread draped across the page is just the icing on the cake. Perfect and wonderful.

Source: ulaniulani/Flickr

merci :)

CDCCity14-7: Coordinating Life in Predictive Cities




Ned Rossiter on Coordinating Life in Predictive Cities

Abstract. The digital is now everything and everywhere. While the missing flight MH370 is yet to be found, for the rest of us there is nowhere left to hide. The horror of cybernetic extension into the vicissitudes of daily life is now well and truly a reality. CCTV cameras, motion capture technologies, RFID chips, smart phones and locational media, GPS devices, biometric monitoring of people and ecological systems – these are just some of the more familiar technologies that generate data and modulate movement and consumption within the logistical city. For many, the model has become the world. Our tastes are calibrated and relayed back to us based on the aggregation of personal history coupled with the distribution of desire across sampled populations. Decision is all too frequently an unwitting acceptance of command. The biopolitical production of labor and life has just about reached its zenith in terms of extracting value, efficiency and submission from the economy of algorithmic action.

Nowhere is this more clear than in the ‘sentient city’, where the topography of spatial scales and borders gives way to the topology of ubiquitous computing and predictive analytics in which the digital is integrated with the motion of experience. In the sentient city data becomes a living entity, measuring the pulse of urban settings and determining the mobilization of response to an increasingly vast range of urban conditions: traffic movements, air quality, chemical composition of soils, social flash points, etc. The horror of urban life is just beginning.

No matter the foibles of human life, predictive analytics and algorithmic modeling deploy the currency of data to measure labor against variables such as productivity, risk, compliance and contingency. What, then, for labor and life outside the extractive machine of algorithmic capitalism? Can sociality reside in the space and time of relative invisibility afforded by the vulnerable status of post-populations? Can living labor assert itself beyond the calculations of enterprise software and the subjugation of life to debt by instruments of finance capital? These are disturbing, complicated questions that require collective analysis if we are to design a life without determination.

Bio. Ned Rossiter is Professor of Communication in the Institute for Culture and Society at the University of Western Sydney and teaches into the School of Humanities and Communication Arts. He is currently working on three books, two of which are entitled Software, Infrastructure, Labor: A Media Theory of Logistical Nightmares (New York: Routledge, forthcoming 2015) and (with Geert Lovink) Urgent Aphorisms: The Politics of Network Cultures (London and New York: Minor Compositions, forthcoming 2015). His writings have been translated into Italian, Spanish, German, French, Finnish, Dutch, Chinese, Greek, Latvian, Hungarian and Turkish. Ned is a coordinating researcher with Brett Neilson on an international project examining the imperial force of infrastructure – Logistical Worlds: Infrastructure, Software, Labour, http://logisticalworlds.org.



This talk was recorded at the workshop: Computing the City – Ubiquitous Computing and Logistical Cities at the Centre for Digital Cultures, Leuphana University Lüneburg, 9-10 July 2014.

Thanks, Ned, for the permission to share.

CDCCity photo set by mprove

CDCCity14-1: The Neuro-Cognitive Comples: A Brief Genealogy of Responsive Environments




Orit Halpern on The Neuro-Cognitive Comples: A Brief Genealogy of Responsive Environments

Abstract. This paper traces the cybernetic influence on designers, urban planners, architects, and human scientists, to produce a preliminary speculative genealogy of contemporary “smart” and ubiquitous computing territories and mediums. Taking a series of case studies ranging from neural nets to Nicholas Negroponte’s experiments in Soft Architecture, to contemporary smart city developments such as Songdo in South Korea, the paper will trace the rise of the ideal of an algorithmically produced territory, and the subsequent transformations (real and imagined) in the forms of measurement and calculation administering populations. This emergent "neuro-cognitive" complex, where bandwidth and the modulation of attention is understood as necessary for the sustainability of life is the architecture for contemporary investments in big data, responsive environments, and ubiquitous computing.

Bio. Dr. Orit Halpern an assistant professor in History and Media Studies at the New School for Social Research and Eugene Lang College, New York. As part of my work as an historian, I am also interested in digital cinema and multi-media documentary, contemporary art practice, animation, and literature. I am particularly partial to those works inspired by, and dedicated to, problems of time and memory. www.orithalpern.net



This talk was recorded at the workshop: Computing the City – Ubiquitous Computing and Logistical Cities at the Centre for Digital Cultures, Leuphana University Lüneburg, 9-10 July 2014.

Thanks, Orit, for the permission to share.

CDCCity photo set by mprove

UXR 6/14: Enterprise UX


UX Roundtable 2.6.2014: Kris Lohmann sprach über Die UX von Enterprise-Anwendungen: Ein Aschenputtel des Software-Designs?



Es ist mittlerweile auch außerhalb der UX-Community verstanden, dass die User-Experience von Consumer-Produkten im direkten Zusammenhang zu den Geschäftszielen einer Organisation steht. Daher investieren erfolgreiche Unternehmen massiv in die Benutzbarkeit und Attraktivität ihrer Benutzungsschnittstellen. Oberflächen und Bedienkonzepte von Enterprise-Software machen häufig eine andere Einstellung deutlich. Kris Lohmann argumentiert, warum auch und gerade dieser Bereich eine sehr spannende Herausforderung für UXler darstellt. Des Weiteren adressiert er, welchen (Stellen-)Wert funktionierende, benutz- und beherrschbare Software im Backoffice eines Unternehmens hat.



// photo Dirk Brünsicke

„Aufmerksam für das Gewöhnliche“ @ Muthesius Kunsthochschule Kiel

Aufmerksam für das Gewöhnliche @ Muthesius Kunsthochschule Kiel

Datum: 31. März – 4. April 2014
Ort: Kiel – Altstadt / Hochschulcampus
Teilnehmer: 13
Rahmen: Interdisziplinäre Workshopwoche
Veranstalter: Muthesius Kunsthochschule Kiel
Projekt Website: http://aufmerksam-muthesius.tumblr.com

Im Rahmen der “interdisziplinären Workshopwoche 2014” der Muthesius Kunsthochschule Kiel ging Sven Klomp mit 13 Studenten aus den Fachbereichen freie Kunst, Interface Design, Kommunikationsdesign und Raumstrategien auf eine nächtliche Reise durch Kiel.

Der Weg führte sie von den Sartorie & Berger Häusern, entlang der Wasserkante beim Schifffahrtsmuseum, durch das Rotlichtmilieu, in den Stadtkern „alter Markt“, hin zum kleinen Kiel, ein kurzer Halt an der Baustelle der Stadtsparkasse und mit einem Schlenker zum Campus der Muthesius Kunsthochschule.

Der Auftrag bestand darin sich mit allen Sinnen auf den Moment zu konzentrieren und aufmerksam das “Hier und Jetzt” zu untersuchen und zu sammeln. In Form von Gedanken, Geräuschen, Erlebnissen, Geschichten, Fotografien, Filmen, Zeichnungen und Objekten. Aus den gesammelten Momenten wählte jeder Künstler sein intensivstes Erlebnis als Inspiration für seine weitere Arbeit. Es entstanden Bilder, Skulpturen, Performances und Installationen.

Die Szenografie der Ausstellung stellt den gegangenen Weg dar. Die Form des Weges wurde auf den Campus der Hochschule projiziert. Es entstand eine Form die durch Architektur und Aussenraum dringt.

Attention for the Ordinary @ Muthesius Academy of Fine Arts and Design Kiel

During the “interdisciplinary workshop week 2014” at the Muthesius University Kiel, Sven Klomp went on a noctornal journey through kiel with students from the fields fine arts, interface design, interior design and communication design.

The Route led them from the Sartorie & Berger Houses, past the waterfront at the waterway museum, through the red light district, to the city center “alter Markt”, over to kleiner Kiel, with a little stop at the construction site in front of the Stadtsparkasse then took a little swerve and came to the campus of Muthesius University.

The Task was to concentrate on the moment with all your senses and investigate and collect the “here and now”. In the shape of thoughts, inspiration, sounds, experiences, stories, photographs, film, drawings and objects. From the collected moments each artist chose their most intense experience as inspiration for his further work. Pictures, sculptures, performances and installations were created

The Szenography of the exhibition was represented by the route. The shape of this way was projected onto the campus of the university. A form that permeates the architecture and external space originated.

Documentationhttp://aufmerksam-muthesius.tumblr.com

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