Originally focused on visual symbols, branding has evolved to include Sound Branding, reflecting a brand’s identity through auditory elements, with more companies adopting this approach and specialised firms emerging.
Sound Branding Agencies
Everyone knows what a brand is but maybe they are not so familiar with the verb to “brand”.
It means to burn in a mark on something to show identify it, usualy showing ownership. This mark can be charged with meaning so as to steer perception. It can convey images, reputations, and perceptions regarding quality and other attributes. But it was pretty much a visually affair until Sound Branding came along. Not all brands have a Sound Identity but the numbers are rapidly growing. And in parallel, the number of Sound Branding companies are growing.
Here is a non-exclusive list containing some of the international companies we have identified:
Department of Noise GmbH
Location:Zürich, Switzerland
Employees: 4
Founded: 2012
Services: Acoustic Design, Audio Branding, Brand Web Radio
Client Industries: Financial Services, Cosmetics, Energy
Efterklang Ltd
Location:Stockholm, Sweden
Employees: 10
Founded: 2009
Services: Acoustic Design, Audio Branding, Market Research
By some estimates, it’s played once every five minutes somewhere in the world. A simple five-note mnemonic tune composed 20 years ago that, with the help of a clever marketing slogan, helped Intel become one of the most recognizable brands in the world.
Five Perfect Notes
Walter Werzowa is the man who made the five perfect notes.
“The sound needed to convey reliability, innovation and trust,” Werzowa said. He says the “Intel Inside” tagline triggered a melody in his head, and those were the notes that became the Intel bong sound: D flat, D flat, G flat, D flat, A flat. The rhythm, he says, was inspired by the syllables of the tagline.
Werzowa then spent the following weeks refining the five-note sequence into the jingle that’s since become so recognizable. Each of the five tones is a blend of various synthesizers – mostly a lot of xylophone and marimba.
Interestingly, Werzowa and Intel discovered that the sound of the notes was at least as important as the melody itself. Among a 60-person focus group, researchers found only 80 percent of participants recognized the correct melody played on a violin, but 100 percent recognized it with the proper sound – even when an incorrect note was added.
A bong by any other sound (How did a jingle become a bong?)
Since the original jingle premiered in 1994, Werzowa says he’s updated it every two to three years. Now that the sound is globally recognizable, Intel is much more hands-on. The chipmaker’s in-house creatives, marketing team and legal counsel all provide input before any changes can be made.
It’s hard to count how many versions the bong sound has gone through over 20 years, but while the visuals have changed and some bass has been added, the essential five-note sequence remains the same.
Even will.i.am’s brief tenure as Intel’s director of creative innovation hasn’t had much impact, although the Black Eyed Peas frontman sampled the jingle for his 2013 track “Geekin.”
Perhaps the most creative iteration so far is from a group of Intel engineers in Finland, who turned themselves into human cannonballs, and launched into a giant row of chimes – likely with the aid of some video-editing wizardry.
While Intel has brought in a new chief marketing officer to revamp its brand image and marketing programs, it’s not clear whether the tune will change, go away, or morph into something new. Whatever the jingle might sound like in the future, Werzowa says one thing is certain in his mind: It’s not likely to be phased out any time soon.
“I cannot imagine that. The Sonic Mnemonic is worth millions of dollars,” he said.
“Nobody was going to run a 30-second ad with the logo there the whole time, it would look stupid. An audio component seemed like it would work really well,” Carter said.
That audio component would become what might be the most iconic three seconds of branded audio ever recorded: the Intel bong sound.
Sound has a major impact on how we perceive moments. The effects of different sounds as a soundscape is creating an atmosphere for us, which has a great affect on our perception. If we take the sonic atmosphere of a working space, a fancy restaurant or a premium spa as a qualitative attribute of the places, we must consider this attribute in online space as well.
Sound has a major impact on how we perceive moments. The effects of different sounds as a soundscape is creating an atmosphere for us, which has a great affect on our perception. If we take the sonic atmosphere of a working space, a fancy restaurant or a premium spa as a qualitative attribute of the places, we must consider this attribute in online space as well.
“As Internet technologies develop, sound will be easily accessible over the Web. It will become a critical component in website design, and will be a differentiating element in the success of websites and brands online. Headspace, a leader in music and sound technology on the Internet, and Cheskin Research, a premiere market research firm, sought to understand how sound impacts brand perception and identity in the Web environment.” (Chelskin Research 1999)
By comparing visual and acoustic stimuli impact on participants in a laboratory experiment (sometimes in familiar environments), Cheskin Research’s findings have been significant to identify impacts of different stimuli or their combined application in a web context.
Their methodology included: (1) Recognition and Identification, (2) Imagery Communication, (3) Decade Association and (4) Impact of Sound in the Office.
After proceeding in their study and analyzing their results, the scientists from Chelskin Research concluded the findings in the following list:
The effective use of audio alone can equal the impact of the visual (logo) on brand imagery Therefore, those who want to develop a brand presence on the web should be concerned with audio However, while an audio representation of a brand is important, it is not a “silver bullet.”
Brands are more easily identified through visual stimuli
Audio can have a negative impact on brand imagery
Intel:
Audio is at parity with visual and combo on imagery attributes
This shows the potential impact of audio alone on brand imagery
HeadSpace:
Adding audio to visual (combo) pulls down positive imagery associations with visual representation of the brand
Chelskin Research suggests: “In an internet environment, the use of audio alone can be as important as a brand’s visual mark in communicating brand attributes. Brand recognition is significant with sound alone. In the future, web developers must consider audio as a part of the entire brand experience.
When designing the audio brand signature, it’s critical that existing brand attributes be understood and that sound express these attributes. Sound can just as easily have a negative impact on brand as a positive impact.”
Musicians build up barricades – noise protection in the orchestra pit
In order to minimise the health risk for orchestral musicians, noise protection walls made out of Plexiglass are being tested.
Plexiglass Protection
To minimise the health risk for orchestral musicians, the academy of music in Detmold / Germany is testing noise protection walls made out of Plexiglass. In contrast to workers in road construction and industry, the musicians can not wear head phones or ear plugs to protect their ears. The noise level however often exceeds the maximum tolerable limit of 120 decibel – which is louder than an pneumatic hammer or disco music.
Interview by “Healthcare Marketing” magazine with the managing director of GROVES Sound Branding Christoph Groß-Fengels.
Topic: Relevance of audio branding for companies in the healthcare industry
Why is it worthwhile for companies to use sound as a part of their brand communication?
To start with the words of Paul Watzlawick: „You cannot not communicate”. This is especially true in the world of sound. While a brand identity usually favours the eyes, where everything from the Pantone colour to the house font is precisely defined, the ears are often neglected. Musical decisions, whether for telephone loops, image films or commercials, are often made on the basis of gut feeling, or are simply the responsibility of whoever is in charge of the project. The untapped potential for additional identification, differentiation, emotionalisation and even brand positioning is often neglected. Here is where sound branding comes in by initiating a strategy to make sound holistically usable for the brand. In addition, the current “audio-first” trend is showing brand managers very clearly that an auditory counterpart to their visual design elements is indispensable. Whether podcasts, Clubhouse, Spotify, or home assistants – the topic of brand sound is ever-present in 2021.
What do companies have to pay attention to so that sound becomes part of the brand DNA and provides added value? What do you achieve with a brand-typical sound image with your target group?
When developing a sound identity, it is important to understand which values and attributes of the brand can be conveyed sonically. After defining the strategy and the implementation of the sound elements, special attention must be paid, that they are used consistently and coherently. As with visual design, this is prescribed in a “Brand Sound Manual”. The sound identity will then provide a measurable added value in terms of identification, differentiation, positioning and recall. In addition, a real unified Sonic Identity gives a more professional overall appearance while leaving the emotional effect of the music preserved.
Which elements are a must for a brand‘s sound identity?
Based on the brand‘s requirements, the auditory strategy may vary. On the basis of the “auditory customer journey”, we draw up a catalogue of requirements for possible future sound elements. Groves supports brands of all sizes, especially in the health sector: From companies such as Hevert-Arzneimittel with around 200 employees, to corporate groups such as Olympus with more than 35,000 employees, we develop strategies to fit the requirements. Sound Logo, brand theme, brand voice(s) and call-centre-design are usually make up the basic collection. But it can be much more extensive. Hevert Arzneimittel, for example, has its own e-health app based on our SonicTonic App with special soundscapes for stress reduction. We also support Olympus with the worldwide development of all product sounds – from high-frequency generators to drying cabinets for endoscopes.
How can brand values be expressed in sound?
We have designed our Brand Identity Development process to be as transparent and comprehensible as possible. We use a unique clustering method to show which attributes and values can be conveyed acoustically. The values are assigned to musically relevant parameters such as tempo, style, activity, quality or complexity. After the conceptual phase, we establish how to trigger perception of the defined brand attributes in the relevant target group. Market research is used to check that the signals are being correctly decoded. Differentiation is ensured by an analysis of competitors use of sound in their brand communications. This includes all sound elements, music styles and even voices.
To what extent have healthcare and pharmaceutical companies recognised the importance of acoustic brand management? What are the opportunities and challenges specifically in this industry?
The healthcare and pharmaceutical sectors use of Sound Branding is similar to the general market. Some companies have effectively used Sound Branding for many years, while most of their competitors lack even the most rudimentary approach. Besides Olympus and Hevert, our clients have included Gelomyrtol, Allergopharm, Hocoma, Geuder, with Biolectra and Doc Schmerzgel from Hermes Arzneimittel. In our opinion, the industry still has a lot of potential regarding the use of sound. One golden opportunity lies in recognising the fact that e-health apps like Calm, Headspace and our own SonicTonic are being used by a large number of people who have already experienced the healing effects of sound in their private lives. In some cases, these sound treatment apps are even covered by health insurances. The approach of giving the entire auditory communication a „healing touch“, in addition to the products, offers enormous potential for healthcare and pharmaceutical companies. We are already active in this field with our current client Lohmann & Rauscher. The newly designed sound logo is the first step towards the combination of so-called healing soundscapes and acoustic brand management.
By some estimates, it’s played once every five minutes somewhere in the world. A simple five-note mnemonic tune composed 20 years ago that, with the help of a clever marketing slogan, helped Intel become one of the most recognizable brands in the world.
“Nobody was going to run a 30-second ad with the logo there the whole time, it would look stupid. An audio component seemed like it would work really well,” Carter said.
That audio component would become what might be the most iconic three seconds of branded audio ever recorded: the Intel bong sound.
Five perfect notes
Walter Werzowa is the man who made the five perfect notes.
“The sound needed to convey reliability, innovation and trust,” Werzowa said. He says the “Intel Inside” tagline triggered a melody in his head, and those were the notes that became the Intel bong sound: D flat, D flat, G flat, D flat, A flat. The rhythm, he says, was inspired by the syllables of the tagline.
Werzowa then spent the following weeks refining the five-note sequence into the jingle that’s since become so recognizable. Each of the five tones is a blend of various synthesizers – mostly a lot of xylophone and marimba.
Interestingly, Werzowa and Intel discovered that the sound of the notes was at least as important as the melody itself. Among a 60-person focus group, researchers found only 80 percent of participants recognized the correct melody played on a violin, but 100 percent recognized it with the proper sound – even when an incorrect note was added.
A bong by any other sound (How did a jingle become a bong?)
Since the original jingle premiered in 1994, Werzowa says he’s updated it every two to three years. Now that the sound is globally recognizable, Intel is much more hands-on. The chipmaker’s in-house creatives, marketing team and legal counsel all provide input before any changes can be made.
It’s hard to count how many versions the bong sound has gone through over 20 years, but while the visuals have changed and some bass has been added, the essential five-note sequence remains the same.
Even will.i.am’s brief tenure as Intel’s director of creative innovation hasn’t had much impact, although the Black Eyed Peas frontman sampled the jingle for his 2013 track “Geekin.”
Perhaps the most creative iteration so far is from a group of Intel engineers in Finland, who turned themselves into human cannonballs, and launched into a giant row of chimes – likely with the aid of some video-editing wizardry.
While Intel has brought in a new chief marketing officer to revamp its brand image and marketing programs, it’s not clear whether the tune will change, go away, or morph into something new. Whatever the jingle might sound like in the future, Werzowa says one thing is certain in his mind: It’s not likely to be phased out any time soon.
“I cannot imagine that. The Sonic Mnemonic is worth millions of dollars,” he said.
Beim „Automotive Breakfast“ lernten die Zuhörer viel von Experten. Vor allem aber ging es um das Führen und die Vertrauensbildung sowie die akustische Identität einer Marke.
Einem neuen Thema widmete sich das „Automotive Breakfast“ der FrankfurtRheinMain GmbH, das jedes Jahr bei der Internationalen Automobilausstellung ist: dem Marketing.
Das Frühstück, das in Kooperation mit dem vom Kreis Groß-Gerau mitinitiierten und unter der Schirmherrschaft von Landrat Thomas Will stehenden Automotive Cluster RheinMainNeckar organisiert wird, bewegte sich damit überraschend weit weg von den klassischen Automotive- und Technikthemen und dafür mehr hin zu einer modernen Aufgabe der Branche, auf die ein verstärktes Augenmerk fällt.
Martin Proba, Geschäftsbereichsleiter der IHK Darmstadt, legte in seiner Eröffnungsansprache die Bedeutung der Automobilindustrie für die Region Frankfurt/Rhein-Main dar und betonte die Unerlässlichkeit von nationalem sowie internationalem Networking. Untrennbar damit verbunden sei das „Branding“, sprich: der Aufbau und die Pflege einer Marke – worauf der erste Referent des Tages, Nils Seib, Direktor einer in Hamburg ansässigen PR- Agentur, in seinem Vortrag einging. Seiner Erfahrung nach ist dies die zukünftige Aufgabe in der Automobilindustrie sowie die richtige Begegnung mit Kundenerwartungen.
„Es geht um Bedeutung und Innovation“, erklärte der PR-Experte. „Kunden wollen den Marken vertrauen. Sie wollen in Prozesse eingebunden werden und wünschen sich mehr Transparenz der Hersteller.“ Verantwortung, Einbindung und Überzeugung seien die drei Grundpfeiler der Zukunft, so Seib. Innovationen kämen zu schnell. Laut Seib könnten die Kunden kein Vertrauen in ständig neue Innovationen aufbauen, da nie genug Informationen vorhanden seien. Erst erarbeitetes Vertrauen und glaubwürdige Erfahrungsberichte würden Innovation erfolgreich machen.
Das Thema Branding griff auch ein weiterer Referent, John Groves, auf. Der Direktor eines „Sound Branding“-Unternehmens erklärte die Wichtigkeit der Werbe-Jingles, deren Längen von einer halben Minute bis hin zu unter einer Sekunde reichen könnten. Sie seien der sogenannte „Turbo des Brandings“, da die kurzen Musikstücke zu einer schnelleren Informationsaufnahme führten. Auch hier folgte die Überleitung zur Branche: Egal ob Marken wie Audi, BMW, KIA oder Renault – wichtig sei allen ein individueller, einprägsamer, flexibler, prägnanter und zur Marke passender Sound.
In today’s ever more crowded and hyper-competitive business environment the need to stand out from the crowd and to more effectively reach target audiences has become critical for businesses of all shapes and sizes vying for their key prospect’s attention. According to market research firm Yankelovich the average consumer is now exposed to a staggering 5000+ advertising messages and brand exposures per day with figures continuously rising1. We are being bombarded with information on the internet, social media sites, through smart phone apps, old fashioned radio and TV, billboards, magazines, product placements, event sponsoring etc. etc. It is no wonder then, that attention spans are narrowing and people are becoming more adept at filtering out information not deemed absolutely necessary. This is especially true for the spoken and written word. Studies estimate that of the aforementioned 5000+ messages, we are only aware of about 100 of them and of those only a handful truly make an impression on us.
There is, however, a communication tool which might be able to bypass the filters and reach target audiences like no other: Sound. The Sound of Music is not just one of the world’s most popular and beloved musicals which has entertained people of several generations but its fundamental reason for success, namely the enormous power of sound and music on the human psyche has also given rise to a relatively new concept embraced by an increasing number of marketing professionals around the world and often referred to as: Sound Branding. Early indices and research show that the strategic and consistent use of brand-fitting sound at critical brand touchpoints can have significant upsides and lead to improved differentiation, a clear communication of brand attributes, effective steering of brand perception and buyer choice, ultimately increasing sales.
1 Louise Story, Anywhere the Eye Can See, Its Likely to See an Ad, The New York Times, January 15 2007
What is the definition of Sound Branding?
“Sound Branding is the strategic development of a brand’s attributes through sound and its deployment across a multitude of touchpoints to create a seamless, cohesive and authentic sonic presence.”
Why is Sound Branding relevant to both B2C and B2B marketers?
Consumers are now exposed to more than 5000 advertising messages and brand exposures per day
Companies that match their brand to music are 96 percent more likely to be remembered2
The right in-store music has shown to increase sales by up to 38%3
97% of brand manager of top global brands (incl. McDonald’s, UPS, adidas, Siemens, Microsoft, Disney etc.) think that music can strengthen their brands4
The right sound/music consistently utilized across the most important brand
Average consumer: 5000+ brand exposures per day
ARTICLE:
What does your brand sound like?
(adapted from Harvard Business Review, by Laurence Minsky and Colleen Fahey5)
Branding is one of the top concerns of CEOs and CMOs, and smart firms are investing as much as ever on branding initiatives — even online. For instance, recently, eMarketer reported that in the digital area alone, U.S. advertisers will spend approximately $17.46 billion on branding, or 41.6% of total digital spend. By 2017, [the online] branding spend is expected to grow to $29.33 billion, or a 48.5% share.”
But with most B2B and B2C organizations using virtually the same branding tools, they’re arguably seeing less advantage as a result of their efforts — if they’re realizing any advantage at all. To gain advantage on this leveled playing field, there’s one powerful branding tool that has been generally overlooked — or perhaps undervalued — by most marketers: sound. With of our increasingly sound-enabled media environment, the strategic use of sound can play an important role in positively differentiating a product or service, enhancing recall, creating preference, building trust, and even increasing sales. Called sound branding, audio branding, sonic branding, or acoustic branding, cognitive studies show that relevant sounds and musical cues can truly influence people in ways marketers want. According to research presented at the 2012 Audio Branding Congress, congruent sound cues can increase the speed of a visual search for products (a key for success in both online and retail settings), as well as improve the perceived taste of food and wine. Some marketers have long employed sound and music as part of their brand experience, including the familiar chime of an Apple Computer launching, the pop of the Snapple lid, and the aggressive howl of a Harley in rev mode.
While these are within the realm of sound branding, the true practices are actually more sophisticated than an isolated packaging or product sound, the singular use of a now quaint jingle at the end of a radio spot, or a discrete Sound logo such as the one attached to the Intel inside button. Rather, audio branding entails the creation of an entire audio language for the brand based on its essence, values, promise, and personality — a language that gets expressed across all touch points, from the web and apps to trade shows to TV to the retail environment and even the product itself. Just as the verbal or visual brand expression is optimized at each medium, the audio expressions are also sensitively adapted across the touch points, so they’re psychologically appropriate to the medium.
Sound cues can improve the perceived taste of food and wine
2 Based on a study conducted by Leicester University, UK in 2008
3 Dr Adrian C. North, Dr David J. Hargreaves and Jennifer McKendrick (1999), The influence of in-store music on wine selections. Journal of Applied Psychology, 84, 271-276
4 According to The Sounds Like BrandingTM report, a study conducted by Heartbeats International in 2008, n=70
5 Laurence Minsky, Colleen Fahey, What does your brand sound like?, The Harvard Business Review, February 7 2014
CASE-IN-POINT (B2C):
SNCF
The French national railway, SNCF, did just that. They launched a sound branding initiative in 2005 for two key reasons. First, already in competition with airlines, they were beginning to compete with German and Italian railroads. Second, consumers, when asked, associated SNCF with “strikes and delays.”
They started their initiative by conducting a study of the all the audio in their competitive set, revealing a lack of distinctiveness. They then created an audio DNA with the goal of communicating their leadership along with the comfort and caring that distinguished the brand. SNCF made a bold decision to give up the usual codes of the category and create something to which no link to the past existed, but that underscored its then current leadership and brand values. As a result, the sound brand has turned into a significant asset for SNCF. For instance, they found that they are correctly identified in testing by 92% of the listeners — and that 88% of these listeners correctly identified the brand upon hearing just two notes. And perhaps more significantly, 71% of them now see the brand as being “attractive” or “very attractive,” and SNCF has experienced an 18% increase in the perception of leadership.
Just as the earliest visual logos and branding programs are iconic today, sound brands will likely become iconic tomorrow. If you do not have an audio brand, the time is now to get started. Done right, your efforts can provide rewards for years to come.
Now 88% of listeners correctly identify SNCF after hearing only 2 notes
71% now see the brand as “attractive” or “very attractive”
ARTICLE:
Making your brand sound as good as it looks – even in B2B
Although sound can often sneak into wider marketing considerations, sound branding is still overlooked and undervalued as a core marketing discipline. That fact holds even truer in B2B marketing, where relatively few firms have explored the possibility of using sound as a means of reinforcing the messages and branding communicated via more traditional channels. Research conducted by Leicester University has shown companies that match their brand to music are 96 per cent more likely to be remembered. Sound has a strong effect on our subconscious and hearing is, in fact, a more powerful emotional sense than sight, meaning it can have a huge impact on potential customers.
Sound branding still overlooked in B2B
Research: companies with brand-fitting
music are 96% more likely to be remembered
Listen to what your brand is saying
Despite the inherent power of sound, there remains a genuine lack of consideration among businesses regarding sound representations of their brand. Currently, 70 percent of brands spend less than five per cent of their budget on sound, so there is a massive discrepancy when compared to visual marketing. Yet image isn’t everything. Our hearing is a more powerful sense than sight, so sound is often more effective in grabbing the attention of potential customers and sparking brand recollection. It is important to scrutinize all potential sonic touchpoints to ensure these sounds fit with the overall image of the business and form one coherent brand voice. This means product noises, videos, the messages people hear when put on hold on telephone systems or the voice and music used for interactive voice response (IVR) call answering systems. Even the sounds customers are exposed to when they visit your premises and employee voicemails should be carefully selected.
Discrepancy: only 5% of budget spend on sound
Don’t get caught up on sound logos alone
Too often, sound branding is equated to the process of developing a sound logo. Sound Logos such as ‘Intel Inside’ have been incredibly successful in keeping a company’s products front of mind but this success has possibly prevented some marketers from thinking beyond such logos when it comes to audio representations of their brand. Instead, the process of deciding which sounds best represent your business shouldn’t be too dissimilar to the one used in determining a brand image.
Consider elements such as brochures, letterheads or your website. If you use a soft color palette, gentle fonts and typefaces then it stands to reason you’d have gentle sounds too. There may even be certain sounds your customers already equate with your brand. Making the most of such characteristic sounds can help you to establish a strong presence without necessarily creating a sound identity from scratch. If your business has a strong regional presence, perhaps your company’s voice needs to incorporate an accent or regional dialect. A company supplying high-quality produce from a specific region may use this to convey a sense of tradition and provenance to clients. Whatever way you look at it, congruence is key and these sounds must fit neatly alongside visual representations of the brand.
Make use of existing sound associations
Harness the power of the humble telephone
Even the way your employees answer the phone is vital. When they take a call, what are they saying and how do they say it? On average, 94 per cent of a company’s marketing budget is spent on getting people to call in but only six per cent is spent on handling those calls when they arrive. Often, use of a telephone system is viewed as extremely tactical and will be handled by the head of telephony or head of IT rather than marketing and sales but it is a largely untapped means of communicating with customers. Considering businesses put callers on hold for an average of 33 seconds – longer than the average commercial – this is an ideal opportunity to pass on information about products and services.
Callers on hold for an average of 33 seconds: Marketing potential
Set the right mood
Voice and music must fit within an overall sound branding strategy but can also be tweaked according to the audience. Cold, impersonal reception areas could be transformed through the use of the right music or introduction of subtle marketing messages. Similarly, stands at trade conferences or expos could make use of music or soundscapes to make them more enticing.
Ultimately, sound branding is an underused yet invaluable marketing discipline that can help to influence a customer’s purchasing decisions in ways they aren’t even aware of. It provides a powerful tool in helping marketers to reinforce existing perceptions of a brand and open new channels of communication with its target audience, ensuring all potential touchpoints are utilized.
Sound branding can help influence a customer’s purchasing decision
CASE-IN-POINT (B2C):
DATEV eG7
systematically utilizing sound to help a growing B2B company re-position their brand:
DATEV eG, based in Nuremberg, Germany, is a software developing company in the accounting, taxing and financial accountancy sector. Its business activities are mainly in the area of accountancy, human resource management, business management, taxing, enterprise resource planning and organisation in general. DATEV was founded in 1966. Today, with more than 5.800 employees and over 39.000 members, DATEV is one of the biggest information providers and software developers in Europe. DATEV takes branding very seriously. Visually, they are a textbook example of consistency. Their logo is very well known and their company colour – green – makes an instant association with the brand. The brand went through a major repositioning based on the consultation of Prof. Dr. Esch (University of Giessen), one of Germany’s top branding experts.
DATEV eG employed sound to help them differentiate their brand
The process involved reducing the brand to its core values and creating what is termed as a “Brand Steering Wheel” which is a tool to define or redefine a brands values, vision and mission. It was during this process, that DATEV became aware that certain attributes possibly could be communicated more effectively using music and sound. They started researching and soon discovered that there are indeed specialists in this field. The basis for their strategic use of music and sound in their brand communication was born. DATEV conducted a thorough check of the market and, after an intensive screening process, GROVES was given the project. Starting in 2008 the DATEV sound identity was developed from the brands core using the complete GROVES Sound Branding Development System: from Brand Audit, Market Review, Application Analysis and Sound Workshop – through to the Brand Sound Manual and subsequent monitoring with Sound Check. The Brand Sound Identity today consists of more than 40 Brand Sound Elements that are implemented in over 20 touchpoints.
The DATEV project demonstrates that effective Sound Branding needs a systematic development process and stringent management. The GROVES methodology is well on its way to being the branch standard. Experiencing it from „a“ to „z“ together with an exciting B2B brand is what this case offers.
7A case study of the development and implementation of a Sound Identity for DATEV eG, Audio Branding Congress Branding Academy
Effective Sound Branding needs a systematic development process and stringent management
Brief description of Brand Sound Elements that have been produced for the brand DATEV:
Sound logo
Sound logo | TV-ending version
Brand song (for on-hold-loop and call-centre usage)
Brand song for motivational usage at trade fair event
Several soundscapes for event and trade fair usage
DATEV’s brand sound identity is implemented in over 20 touch points
Conclusion
Recent research indicates that, in the field of multi-sensual communication, marketeers are now increasingly aware of the possibility of communicating corporate and brand values to all senses. Whereas the use of sound and music in brand communications has traditionally been restricted to campaign use, experience has shown that a coordinated approach to its use as part of a brand communication strategy has many advantages. For brands that have previously relied largely on the sense of sight, an intentional and strategic use of sound via a structured management system in a branding context can open up an additional dimension.
Although Sound Branding is still in its infancy, it is now widely accepted that brand perception can be accurately steered by the strategic use of sound and music. Once an association has been built up, it can not only measurably improve brand awareness, differentiate and emotionalize the brand as well as save music licensing costs, but also help to create an affinity to the brand, which may ultimately lead to increased sales – which must be the perfect bottom line.
Want to know more about Sound Branding and its potential to make a significant contribution to your sales and marketing goals?
